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The author grants the publisher certain rights to his material for the duration of the contract. These rights may include the right to publish, communicate and distribute online and to sublicense. These rights are granted only to this publisher. As long as the agreement exists, the author cannot grant anyone the same rights. The duration of the agreement may vary, some agreements may be perpetual or perpetual. If the license includes the right to sublicense, the publisher may grant the rights granted to it to a third party. B for example to allow another publisher to publish the work in another territory. Authors transfer copyright to the publisher under a journal publication contract, but have the right to: A: Music is a delicate category. The sound recordings were granted federal copyright in 1972, but the sound recordings were made before February. 15, 1972 were only protected by state law, which means that some of your music from the 1960s may be protected differently depending on the state where the music was created.

So, the answer to your question may be definitive! There are many copyright stakeholders in the music, composer, lyricist, and recording unit, so if permission is required, you may need to get permission from multiple people/entities. You may be able to pursue a fair dealing argument. Use one of the fair dealing tools recommended in this guide or in the Office of the Advocate General`s Fair Dealing Guide. For more information on obtaining music rights, see the Yale Office of General Counsel`s Rights Clearance Guide for Digital Projects. These rights apply to all Elsevier authors who publish their article either as a subscription article or as an open access article. In any case, we require that all Elsevier authors always include full confirmation and, if applicable, a link to the final published version hosted on Science Direct. Copyright Option Distribution Derivative Works Translation Adaptation Commercial Reuse Original Author Named Same License Used for attribution of secondary works NO NO NO ATTRIBUTION (CC BY) YES YES YES YES NO Attribution No Commercial (CC BY-NC) YES (Non Commercial) YES (No Commercial) YES (No Commercial) YES (No Commercial) YES (No Commercial) YES (No Commercial) NO NO NON-ATTRIBUTION Derivatives Non Commercial Non Commercial (CC BY-NC-ND) YES (No Commercial) NO NO NO NO NO NO Copyright protects original works of copyright that are fixed at the time of their creation for the duration of the life of the creator plus 70 years on a tangible and perceptible medium. The person(s) who created the work generally own the copyright in that work, unless it is a commissioned work or the author transfers those rights to someone else.

Copyrighted works are: If you find that the agreement of the publisher you have chosen is too restrictive and you want to make sure that your work reaches the widest possible audience, you should consider publishing in other publications. Many publishers offer open access alternatives and many institutions offer open access publishing options through their IR. In these cases, you may grant the Publisher a non-exclusive license to publish the work while retaining all of your rights to reuse your own work in the manner you request. In fact, if the non-exclusive license is present, you can still choose to publish with the original publisher, but the non-exclusive license can legally prevail (see 17 U.S.C§ 205(e)). The license must specify exactly what rights you want to license. They may contain many of the rights listed in the ABC and XYZ Publisher Agreement above, or as many rights that you feel comfortable with. You can learn more about Open Access in the Open Access Options section. This guide is designed to help authors and yale users of copyrighted material examine the practical issues addressed by U.S. copyright law. These issues may include understanding the fundamental principles of copyright, its protection and exceptions; Negotiation of publishing contracts for authors; and the integration of copyrighted works into your own new works.

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